This is where England most truly excels: in all the characterful shabbiness of its drizzled parks, soiled launderettes, frayed tailors, abject chemists, sparse barbers, bare foyers, dun pubs, weary Legion halls... and cowed solitary cafes. - Classic Cafes

It's a pleasure to flick through Derelict London by Paul Talling, the book of the website. I thought it might be a bit depressing but it turns out to be the opposite. These forlorn spaces, so easily overlooked in real life often have unexpected stories behind them. For all the ones overcome by the wrecker's ball there are other like Soho's Marshall Street Baths (above) being reused and regenerated. Recommended reading.

Eddie, the oldest resident of the Excalibur Estate, Catford

There's a rather sad entry about the Excalibur Estate in Catford by Doctor Boogie on Nothing To See Here. The 187 prefabs there (the largest estate of its kind left in Europe) have survived for 60 years but are now under serious threat as they don't meet Decent Homes Standard and would cost £8.4 million to refurbish. Clearly the numbers don't add up, but sometimes it's not just about money.

Cumbernauld - the vision

Good and bad news for Cumbernauld this week. The bad first - it's up for its third Carbuncle. These are the raspberries given out by Architecture Scotland for the worst buildings, with a special "Plook on a Plinth" category for worst town. The idea is to "provoke debate about the poor quality of development in many of Scotland’s towns and cities" but it still seems a bit mean.

On the other hand this view of Cumbernauld how it was meant to be is one of the top 10 Treasured Places in Scotland. This competition run by the RCAHMS (Royal Commission on Ancient and Historical Monuments of Scotland) asked people to nominate their favourite picture from the RCAHMS archives. The 100 nominees are an interesting cross-section of the ordinary and extraordinary: The Dollan Baths in East Kilbride, The Italian Chapel in Orkney, Edinburgh prefabs and the Aluminium works in Kinlochleven all got a mention. I spent a while trawling through the site, reading why people love certain places. There are some great buildings in the top 10 - voting is open until 10 December.

Space House

I'm pleased to have contributed some photos of Centre Point and Space House to a feature on Colonel Richard Seifert at Archinect. They approached me directly to use the photos not mentioning that Owen Hatherley who writes one of my very favourite blogs - Sit Down Man, You're a Bloody Tragedy wrote the piece. There's a six degrees of separation thing going on here. Also, while the photos might look planned and well executed I had no idea that "Space House" was a Richard Seifert building. I wandered past it after interesting2007 and thought "Ooh, that looks a bit like Centre Point", took some photos, Bob's your uncle. I imagine all great architectural photographers work this way.

United Nations foyer

It's United Nations fever round these parts with lots of links coming into my Flickr set following Michael Bierut's piece at Design Observer on Donal McLoughlin's creation of the UN logo and Ben's creation of a transatlantic blogging loop. DO also links to International Territory: the United Nations 1945-95 by Adam Bartos and I'll raise that with The U.N. Building by Ben Murphy, another staggeringly beautiful collection of UNHQ photos.

gormley.jpg

I spent Sunday morning admiring Antony Gormley's handiwork in and around the Hayward Gallery. Event Horizon puts lots of little Gormleys (as opposed to one big one) across the London skyline. Walking over Waterloo Bridge you catch sight of the first rooftop figure and as soon as you see one you can't help looking around to find them all. I like the way it's proper art, but it's beautiful and playful at the same time. Not for anyone traumatised by Dr Who's Blink although they look pretty placid by comparison.

Inside the gallery there's a variety of other works in case you think he just spends all his time making effigies of himself. Blind Light, a walk-in foggy box is completely disorienting but in a very pleasant way. Like standing in a cloud. Back outside I enjoyed all the Brutalism. Lovely, lovely concrete. Following the debates in this week's BBC Magazine about Britain's most unpopular buildings, I wondered if people still hate the ones on the South Bank or is it okay if they've got art in them? The Hayward Gallery is particularly lovely - proper brutal with all its jutting angles and hard edges. For the rest it's a hard one to call. Of the 4 buildings up for debate I've only seen one - Owen Luder's Get Carter car park in Gateshead. I think it's fab and having parked in it, can attest it does exactly what it's supposed to. It always seems like the same half-arsed debate though - some outraged local who wants to knock it down vs someone from the Twentieth Century Society who doesn't have to look at it every day but reckons it's very important. Having sought out a few carbuncles lately the reality is more complicated, with every building having different pros and cons depending on what and where it is. It would be good to get beyond the mudslinging and talk about it properly 'cause I can't help feeling this isn't helping architecture any. I'm wondering if tomorrow's building will be King of the Carbuncles, Cumbernauld town centre. We went there last week and can see why it provokes strong opinions. Visit report coming soon.

The Midland Hotel, Morecambe

Quick plug for the new, appropriately streamlined website for The Midland Hotel in Morecambe, as seen on last night's Coast (although I missed it being in that London). Kate who introduced the Knitted Village to Nothing To See Here designed the website for the Friends of the Midland Hotel - they've done a tremendous amount to make sure that the restoration gets the place back to its wonderful Art Deco glory. It only costs £5 per year to support this very good cause. I'm joining up now.

The General Assembly

As predicted I had a ball in New York. What a great place. The icing on the cake was spending 3 days at a conference in the United Nations Headquarters. I got the impression most of the delegates took the surroundings for granted, while I was obsessing over the typography, the chairs and the general ephemera of international relations, 1950s-style.

Nameplates

In the conference room there were two rows of chairs in different colours - one row for delegates, the second for alternates. The desks had little microphones, an earpiece and a space for a nameplate if I'd been a country there on diplomatic business. The nameplates were sitting out at the back in a huge pile, from Afghanistan to Zimbabwe with the Holy See sitting out on top.

Phone booths

Outside the conference room there were these phone boxes, and the best thing was they usually had two or three people in national dress in them, making an urgent call. It was like an old film. And everything else in the building was beautiful. The assembly rooms are spectacular, in a Cold War, Dr Strangelove kind of way. It's a combination of modernist aesthetics with the most beautiful colours and fantastic detail - classic typography, muted lighting and great seating.

Chairs

It was hard to do it all justice without a better camera but here's the United Nations Flickr set. There are much better picures in The UN Building by Ben Murphy, some of which are also on his website. The book also has the background on how it was built - the committee of international architects, Le Corbusier and Oscar Niemeyer among them must have tested diplomatic protocol to its limits before the place was even built.

Alain de Botton has a new series on architecture starting tonight - The Perfect Home (More 4 Mon-Wed, Channel 4 Thu-Sat). There is a book that goes with it The Architecture of Happiness, which I've bought but not read yet. I have however just read his book On Seeing and Noticing, a slim Penguin 70 which covers boring places, sadness and Little Chefs ("ugly places full of bad food that are nevertheless resonant with poetry"). And his book The Art of Travel is one of my favourite books ever. One of these books where I savoured every single word. But back to houses: 1. Does anyone know how I can get hold of The Dilapidated Dwelling, Patrick Keiller's film about housing? 2. My new house: a Flickr set.