Portnahaven Church was designed by Thomas Telford and built in 1828. The two doors are reputed to allow the populations of Portnahaven and the neighbouring village of Port Wemyss to enter separately and remain segregated when inside. Very Christian!
It is one of the best remaining examples of a ‘parliamentary church’, part of a wave of church-building (funded by Parliament) designed to better serve churchgoers in remote areas. Thanks Maraid for the tip-off.
Kilarrow Parish Church, more commonly known as The Round Church sits at the top of Bowmore’s main street. It was built in 1767 and is one of few round churches in the UK. The story goes that it was designed to be round so the devil couldn’t hide in any corners, but this seems to be more fiction than fact.
The church is not usually open apart from Sunday mornings, but you can arrange a visit by contacting the parish clerk on the number at the entrance.
Carraig Fhada Lighthouse on the Mull of Oa is a beautiful thing from any angle. We visited at 7.30am on the hottest day of the year.
It is Scotland’s only square lighthouse, and was commissioned by Walter Frederick Campbell, the Laird of Islay, in memory of his wife Lady Ellinor Campbell who died young in 1832. There is a beautiful dedication to her on one side of the lighthouse.
You can walk across the little path to get right up close (except at high tide). The lighthouse itself is not usually open to the public.
Some more photos from new photobook, A Parade of Shops. This time, a selection of shop windows. Above is Ernest Whiteley & Co in Bridlington, a truly stunning ladies outfitter, comfortable in its time warp. More photos at Modern Mooch.
This is the window of J.M. Barnardo in Dublin, who claim to be the world’s oldest furrier. Opened in 1812, the founder’s son Dr Thomas John went on to found Barnardo’s charity.
I find this arrangement, from a ladies’ clothes shop in Biggar, very soothing to look at.
Finally, one of the few remaining joke shops, Tam Shepherd’s. Serving Glasgow’s guisers, partygoers and budding magicians since 1886. Still family run, its windows are always a treat to look at.
After yesterday’s big announcement, I had a brainwave and decided to change the title from Little Shops to A Parade of Shops. That seems more fitting. Unfortunately I had the brainwave after ordering some copies, so the first batch (called LittleShops) is reduced to £6 until the reprints arrive. If you don’t mind a different title, it’s the same book inside.
Anyway, to business. As well as historic and photogenic shopfronts, I wanted to include some where there is barely any shopfront at all. This one from Stromness in Orkney looks like it was designed to withstand the elements.
It was built around the same time as St Bride’s in East Kilbride, another huge brick box designed by GKC. St Patrick’s is not quite as ornate as St Bride’s (although it’s strange to describe either building as ornate) but it is still striking.
The use of windows and roof lights to let in the light in interesting ways is one of its best features.
There is a very good paper on the history of St Patrick’s and development of other Gillespie, Kidd and Coia buildings on the St Patrick’s website (PDF).
The church and GKC buildings are feted in the architectural world. The paper (PDF) balances this with tales of leaky roofs and drafts that would knock old ladies off their feet.
Thankfully St Patrick’s has been carefully looked after and is a remarkable church to visit.
I recently visited Clifton Cathedral in Bristol, or the Cathedral Church of SS Peter and Paul, to give it its Sunday name. [Wikipedia]
The Roman Catholic cathedral was designed by Ronald Weeks and a team from the Percy Thomas Partnership, and was completed in 1973. It is now Grade II Listed.
Hexagons and equilateral triangles are key to the design of the whole building.
It had just reopened for services again as restrictions were lifted.
“Originally intended to be executed in stone (it was thought that these would be damaged by later building work), the Stations were made by William Mitchell using Faircrete (a mixture of concrete, resin & nylon fibres). The artist was asked about what reaction people had to his work: ‘Well the work is a bit hairy I suppose, but then so was the experience of crucifixion.’” – from Wikipedia.
Even the bins are carefully designed. The walls show the shape of the timber used to cast the concrete.